http://www.the-tls.co.uk/articles/public...for-piety/
EXCERPT: [...] The poet invited conjecture not only about his work but also about his personal life [...] It is a wonderful dramatic irony, then, that Byron’s memoirs – which might have finally provided the “truth” about his life – were destroyed soon after his death. The story goes that three of his closest friends (his publisher, John Murray; his fellow celebrity poet, Thomas Moore; and his companion since his Cambridge days, John Cam Hobhouse), together with lawyers representing Byron’s half-sister and his widow, decided that the manuscript was so scandalous, so unsuitable for public consumption, that it would ruin Byron’s reputation forever. Gathered in Murray’s drawing room in Albemarle Street, they ripped up the pages and tossed them into the fire. The incident is often described as the greatest crime in literary history. It has certainly served to fuel curiosity and conjecture about Byron’s personal life for another couple of centuries. What was the damning secret his friends needed to protect? Domestic abuse? Sodomy? Incest? Probably all three, we imagine.
In the title essay of his collection The Burning of Byron’s Memoirs: New and unpublished essays and papers, Peter Cochran provides the full correspondence between the principal figures in the lead-up to the memoirs’ destruction. It is astonishing that not one of these letters expressed the view that denying the world a work by one of its most revered writers would be an act of barbarism. Instead, at a time when autobiography was considered slightly unseemly, Byron’s friends were zealously committed to “protecting” his family and “preserving” his fame. Cochran argues, however, that there were other reasons behind the decision, mostly involving self-interest and petty jealousy...
EXCERPT: [...] The poet invited conjecture not only about his work but also about his personal life [...] It is a wonderful dramatic irony, then, that Byron’s memoirs – which might have finally provided the “truth” about his life – were destroyed soon after his death. The story goes that three of his closest friends (his publisher, John Murray; his fellow celebrity poet, Thomas Moore; and his companion since his Cambridge days, John Cam Hobhouse), together with lawyers representing Byron’s half-sister and his widow, decided that the manuscript was so scandalous, so unsuitable for public consumption, that it would ruin Byron’s reputation forever. Gathered in Murray’s drawing room in Albemarle Street, they ripped up the pages and tossed them into the fire. The incident is often described as the greatest crime in literary history. It has certainly served to fuel curiosity and conjecture about Byron’s personal life for another couple of centuries. What was the damning secret his friends needed to protect? Domestic abuse? Sodomy? Incest? Probably all three, we imagine.
In the title essay of his collection The Burning of Byron’s Memoirs: New and unpublished essays and papers, Peter Cochran provides the full correspondence between the principal figures in the lead-up to the memoirs’ destruction. It is astonishing that not one of these letters expressed the view that denying the world a work by one of its most revered writers would be an act of barbarism. Instead, at a time when autobiography was considered slightly unseemly, Byron’s friends were zealously committed to “protecting” his family and “preserving” his fame. Cochran argues, however, that there were other reasons behind the decision, mostly involving self-interest and petty jealousy...