http://chronicle.com/article/Art-in-the-...acy/235903
EXCERPT: In 2010, a cadre of muckraking activists, including the artist Andrea Fraser, started a project called Artigarchy. Their aim was to investigate the relationship between rising inequality and rising art prices, not merely to identify key individuals but to expose institutional relationships, for example between banks and museums. Artigarchy is a good term to think with. How do the institutions of the art world shape and actually harm society? In what ways are we ruled by art? [...] So what is the relationship between art and capital today? The continuing adventures of the hedge-fund billionaire and art collector Steven A. Cohen are instructive in this election season. [...] Art is no longer the mere status symbol it was in the age of Morgan. Instead, as Cohen’s exploits show, art has become an instrument for generating wealth and political influence in the interests of an audacious plutocracy. In this sense, we are indeed being ruled by art in a way we have not been before, and its price now comes at a direct social cost. Its commodification has ceased to be a matter merely of cultural debate [...] In an age when museums and banks increasingly resemble each other, we need a Pujo Committee to put art itself on trial....
EXCERPT: In 2010, a cadre of muckraking activists, including the artist Andrea Fraser, started a project called Artigarchy. Their aim was to investigate the relationship between rising inequality and rising art prices, not merely to identify key individuals but to expose institutional relationships, for example between banks and museums. Artigarchy is a good term to think with. How do the institutions of the art world shape and actually harm society? In what ways are we ruled by art? [...] So what is the relationship between art and capital today? The continuing adventures of the hedge-fund billionaire and art collector Steven A. Cohen are instructive in this election season. [...] Art is no longer the mere status symbol it was in the age of Morgan. Instead, as Cohen’s exploits show, art has become an instrument for generating wealth and political influence in the interests of an audacious plutocracy. In this sense, we are indeed being ruled by art in a way we have not been before, and its price now comes at a direct social cost. Its commodification has ceased to be a matter merely of cultural debate [...] In an age when museums and banks increasingly resemble each other, we need a Pujo Committee to put art itself on trial....