Jul 12, 2025 07:33 PM
(This post was last modified: Jul 12, 2025 09:23 PM by Magical Realist.)
I have always been attracted to Lana Del Rey and her style of music. Little did I know she has a philosophy degree from Fordham and a penchant for existentialist thinkers! This is one of my favorite quotes:
“Every night I used to pray that I’d find my people, and finally I did on the open road.
We had nothing to lose, nothing to gain, nothing we desired anymore, except to make our lives into a work of art.”― Lana Del Rey
https://theconversation.com/the-existent...rey-260131
"Speaking to Myspace as an upcoming artist in 2013, Lana Dey Rey said that the “vision of making [her] life a work of art” was what inspired her to create her music video for her breakthrough single, Video Games (2011).
https://youtu.be/cE6wxDqdOV0
The self-made video, featuring old movies clips and webcam footage of Del Rey singing, went viral. It eventually led her to sign with a major record label. For many, the video conveyed a sense of authenticity. However, upon discovering that “Lana Del Rey” was a pseudonym (her real name is Elizabeth Grant), some fans began to have doubts. Perhaps this self-made video was just another calculated marketing scheme?
The question of Del Rey’s authenticity has puzzled many throughout her career. Consider, for instance, the controversial Judah Smith Interlude from her latest album, Did You Know That There’s a Tunnel Under Ocean Blvd? (2023). Both fans and critics – including her sizeable LGBTQ+ fanbase – were surprised and troubled by her decision to feature the megachurch pastor Judith Smith, who’s been accused of homophobia.
However, the meaning of Del Rey’s inclusion of Smith’s sermon soundclips, layered under a recording of Del Rey giggling, is unclear. Is this meant to mock Smith, or even Christianity itself? Or is it an authentic expression of Del Rey’s own spirituality? After all, she repeatedly makes references to her “pastor” in the same album’s opening track The Grants, about her family in real life.
Before she became a singer-songwriter, Del Rey gained her philosophy degree at Fordham University. It was the mid-2000s, when the eminent existentialism scholar Merold Westphal would have been on staff, so she probably studied theories of authenticity by existentialists such as Jean-Paul Sartre (1905–80) and Martin Heidegger (1889–1976). Heidegger spoke of human existence as a “being-towards-death”. Or as Del Rey sings in the title track of her first major-label album, “you and I, we were born to die”.
In Heidegger’s view, to pretend that we are not all bound to die is to deny the kind of finite beings which we are: it is to disown ourselves and exist inauthentically. Conversely, to exist authentically is to accept our own mortality and embrace the way we exist as finite beings.
In this understanding, to exist authentically does not mean the expression of some underlying “true self” or “human nature”. Rather, it is to accept the conditions of life in which we find ourselves...."
“Every night I used to pray that I’d find my people, and finally I did on the open road.
We had nothing to lose, nothing to gain, nothing we desired anymore, except to make our lives into a work of art.”― Lana Del Rey
https://theconversation.com/the-existent...rey-260131
"Speaking to Myspace as an upcoming artist in 2013, Lana Dey Rey said that the “vision of making [her] life a work of art” was what inspired her to create her music video for her breakthrough single, Video Games (2011).
https://youtu.be/cE6wxDqdOV0
The self-made video, featuring old movies clips and webcam footage of Del Rey singing, went viral. It eventually led her to sign with a major record label. For many, the video conveyed a sense of authenticity. However, upon discovering that “Lana Del Rey” was a pseudonym (her real name is Elizabeth Grant), some fans began to have doubts. Perhaps this self-made video was just another calculated marketing scheme?
The question of Del Rey’s authenticity has puzzled many throughout her career. Consider, for instance, the controversial Judah Smith Interlude from her latest album, Did You Know That There’s a Tunnel Under Ocean Blvd? (2023). Both fans and critics – including her sizeable LGBTQ+ fanbase – were surprised and troubled by her decision to feature the megachurch pastor Judith Smith, who’s been accused of homophobia.
However, the meaning of Del Rey’s inclusion of Smith’s sermon soundclips, layered under a recording of Del Rey giggling, is unclear. Is this meant to mock Smith, or even Christianity itself? Or is it an authentic expression of Del Rey’s own spirituality? After all, she repeatedly makes references to her “pastor” in the same album’s opening track The Grants, about her family in real life.
Before she became a singer-songwriter, Del Rey gained her philosophy degree at Fordham University. It was the mid-2000s, when the eminent existentialism scholar Merold Westphal would have been on staff, so she probably studied theories of authenticity by existentialists such as Jean-Paul Sartre (1905–80) and Martin Heidegger (1889–1976). Heidegger spoke of human existence as a “being-towards-death”. Or as Del Rey sings in the title track of her first major-label album, “you and I, we were born to die”.
In Heidegger’s view, to pretend that we are not all bound to die is to deny the kind of finite beings which we are: it is to disown ourselves and exist inauthentically. Conversely, to exist authentically is to accept our own mortality and embrace the way we exist as finite beings.
In this understanding, to exist authentically does not mean the expression of some underlying “true self” or “human nature”. Rather, it is to accept the conditions of life in which we find ourselves...."
