Creative writing and artful observations

#21
Magical Realist Offline
It disturbs me to no end that good poems can be composed by an entirely non-conscious language machine. Not because they can do it but because it implies that we are nothing more than that. Was Shakespeare just a highly skilled biologically-based LLM?

I cannot overstate the long term effects of having been raised in the TV generation. I was learning about the world as filtered thru the TV long before I ever read about it in books or at school. Different kinds of food. Different places. Different kinds of people. Trains. Cowboys. Sailing ships. Dinosaurs. UFOs. Jungles. Witches. Icebergs. Circuses. And tornadoes. The world I lived in was what I saw on TV---a senseless and surreal mishmash of cultural icons and storied tropes and promotional mascots and cartoon tricksters that fed my imagination and stoked my lifelong passion for eye candy, the spectacular, and the otherworldly. To paraphrase Mcluhan's words: "The medium WAS the message." I'm not complaining. I was blessed to be able to take part in such a re-enchanting era of human innovation, even though I probably paid for it with a shortened attention span.
Reply
#22
confused2 Offline
The request was to WhateverGPT at poe.com

Quote:I'm currently having a rat infestation. Could you compose a poem on the theme of the joys of having rats and the diseases they carry.. ?

You can ask a few questions without giving any information. It would be interesting to see how similar the poems are .. I don't think it could connect the two requests .. but it might - it generally exceeds expectations by a wide margin.
Reply
#23
Magical Realist Offline
If someone told me in 1979 that by 2025 we'd still have no flying cars but we WILL be able to listen to any music we want for virtually free, I'd still want to be there. If they then said I would only be able to listen to that music on a tiny portable telephone that has to be recharged all the time while costing 145.00 a month, I'd politely decline.
Reply
#24
Magical Realist Offline
You've really got to hand it to the late rock musician Frank Zappa. He named his kids Dweezil and Moon Unit. Dweezil was the name Frank gave to one of his wife's funny looking toes. And Moon Unit is simply a stroke of surrealistic genius! Dweezil pursued a career playing guitar in a rock band. And Moon Unit now has a website, a published memoir, and even markets her own brand of tea. So everything turned out ok I guess..


[Image: Y6ZFdqV.jpeg]
[Image: Y6ZFdqV.jpeg]

Reply
#25
Magical Realist Offline
In a world awash with platitudes and half truths and thoughtless cliches and trite catchphrases, just telling it like it is is an anarchic act that catches everybody off guard. The truth, like art, is always surprising and frequently dumbfounding. Sometimes incendiary if not downright blasphemous.


[Image: Cme9H5G.jpeg]
[Image: Cme9H5G.jpeg]

Reply
#26
Magical Realist Offline
"My Friend Walt Whitman" by Mary Oliver

"Whitman’s poems stood before me like a model of delivery when I began to write poems myself: I mean the oceanic power and rumble that travels through a Whitman poem—the incantatory syntax, the boundless affirmation."—Mary Oliver

America’s most influential poet, the great Walt Whitman, was born on this day in 1819. In honor of the good grey poet’s birthday, I’d like to share this beautiful tribute written by the late poet, Mary Oliver, in her superb book Upstream: Selected Essays
--------------------------------------------------------------------------------------------------------------------------------
"In Ohio, in the 1950s, I had a few friends who kept me sane, alert, and loyal to my own best and wildest inclinations. My town was no more or less congenial to the fact of poetry than any other small town in America—I make no special case of a solitary childhood. Estrangement from the mainstream of that time and place was an unavoidable precondition, no doubt, to the life I was choosing from among all the lives possible to me.

I never met any of my friends, of course, in a usual way—they were strangers, and lived only in their writings. But if they were only shadow-companions, still they were constant, and powerful, and amazing. That is, they said amazing things, and for me it changed the world.

This hour I tell things in confidence,
I might not tell everybody but I will tell you.

Whitman was the brother I did not have.

I did have an uncle, whom I loved, but he killed himself one rainy fall day; Whitman remained, perhaps more avuncular for the loss of the other. He was the gypsy boy my sister and I went off with into the far fields beyond the town with our pony, to gather strawberries. The boy from Romania moved away; Whitman shone on in the twilight of my room, which was growing busy with books, and notebooks, and muddy boots, and my grandfather’s old Underwood typewriter.

My voice goes after what my eyes cannot reach,
With the twirl of my tongue I encompass worlds and volumes of worlds.

When the high school I went to experienced a crisis of delinquent student behavior, my response was to start out for school every morning but to turn most mornings into the woods instead, with a knapsack of books.

Always Whitman’s was among them. My truancy was extreme, and my parents were warned that I might not graduate. For whatever reason, they let me continue to go my own way. It was an odd blessing, but a blessing all the same. Down by the creek, or in the wide pastures I could still find on the other side of the deep woods, I spent my time with my friend: my brother, my uncle, my best teacher.

The moth and the fisheggs are in their place,
The suns I see and the suns I cannot see are in their place,
The palpable is in its place and the impalpable is in its place.

Thus Whitman’s poems stood before me like a model of delivery when I began to write poems myself: I mean the oceanic power and rumble that travels through a Whitman poem—the incantatory syntax, the boundless affirmation.

In those years, truth was elusive—as was my own faith that I could recognize and contain it. Whitman kept me from the swamps of a worse uncertainty, and I lived many hours within the lit circle of his certainty, and his bravado.

Unscrew the locks from the doors! Unscrew the doors themselves from their jambs! And there was the passion which he invested in the poems. The metaphysical curiosity! The oracular tenderness with which he viewed the world-its roughness, its differences, the stars, the spider—nothing was outside the range of his interest.

I reveled in the specificity of his words. And his faith—that kept my spirit buoyant surely, though his faith was without a name that I ever heard of. Do you guess I have some intricate purpose? Well I have … for the April rain has, and the mica on the side of a rock has.

But first and foremost, I learned from Whitman that the poem is a temple—or a green field—a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing—an artifact, a moment of seemly and robust wordiness—wonderful as that part of it is.

I learned that the poem was made not just to exist, but to speak—to be company. It was everything that was needed, when everything was needed. I remember the delicate, rumpled way into the woods, and the weight of the books in my pack. I remember the rambling, and the loafing—the wonderful days when, with Whitman, I tucked my trowser-ends in my boots and went and had a good time."

https://poeticoutlaws.substack.com/p/my-...sDoRn7xnJg
Reply
#27
Magical Realist Offline
"At the North Pole, every direction is south. Since the North Pole is the northernmost point on Earth, there is no north to go, and all directions point away from the pole, which is towards the south. East and west also don't have a clear definition at the North Pole, as all lines of longitude converge there."

And all trajectories from the North Pole wind up at the same point, the South Pole! Pick any direction. You can't get lost if you travel far enough!


[Image: JJiYc5O.jpeg]
[Image: JJiYc5O.jpeg]

Reply
#28
Magical Realist Offline
This observation, uttered in 1935, was never more true than now:

“When the farthest corner of the globe has been conquered
technologically and can be exploited economically; when any incident you like, in any place you like, at any time you like, becomes accessible as fast as you like; when you can simultaneously "experience" an assassination attempt against a king in France and a symphony concert in Tokyo; when time is nothing but speed, instantaneity, and simultaneity, and time as history has vanished from all
Being of all peoples; when a boxer counts as the great man of a
people; when the tallies of millions at mass meetings are a triumph;
then, yes then, there still looms like a specter over all this uproar the
question: what for? — where to? — and what then?”
― Martin Heidegger, Introduction to Metaphysics
Reply
#29
Magical Realist Offline
In my bathroom mirror this morning I noticed something strange. I raised my right hand and looked at it in the mirror. A perfect replica in every sense. I make a fist and the mirror hand makes a fist. Nothing at all different about it in the mirror, except this: it is not in fact a right hand in the mirror at all but a left hand! I prove this by pressing my hand on the mirror. The reflected hand lines up perfectly with my right hand, finger to finger, just as a left hand would. It is totally identical yet also a complete opposite! What dark sorcery is this! How will I ever be able to trust my mirror again? And who is this imposter standing before me?
Reply
#30
Syne Offline
(Jul 6, 2025 03:48 PM)Magical Realist Wrote: In my bathroom mirror this morning I noticed something strange. I raised my right hand and looked at it in the mirror. A perfect replica in every sense. I make a fist and the mirror hand makes a fist. Nothing at all different about it in the mirror, except this: it is not in fact a right hand in the mirror at all but a left hand! I prove this by pressing my hand on the mirror. The reflected hand lines up perfectly with my right hand, finger to finger, just as a left hand would. It is totally identical yet also a complete opposite! What dark sorcery is this! How will I ever be able to trust my mirror again? And who is this imposter standing before me?

What a moron. 9_9
Reply


Possibly Related Threads…
Thread Author Replies Views Last Post
  Davinci's mirror writing stryder 1 448 Sep 11, 2022 11:58 PM
Last Post: C C
  The creative value of ugliness C C 0 727 Dec 17, 2015 08:13 PM
Last Post: C C
  The Killing Of The Creative Class C C 0 747 Feb 9, 2015 08:39 PM
Last Post: C C



Users browsing this thread: 1 Guest(s)