Feb 23, 2024 07:11 PM
Feb 23, 2024 10:01 PM
I've only seen the 2002 version (which I recall virtually nothing of). But Stanisław Lem criticized both films as failing to capture the essence of his 1961 novel:
As Lem wrote, "the peculiarity of those phenomena seems to suggest that we observe a kind of rational activity, but the meaning of this seemingly rational activity of the Solarian Ocean is beyond the reach of human beings." Lem also wrote that he deliberately chose to make the sentient alien an ocean to avoid any personification and the pitfalls of anthropomorphism in depicting first contact.
...to my best knowledge, the book was not dedicated to erotic problems of people in outer space... As Solaris' author I shall allow myself to repeat that I only wanted to create a vision of a human encounter with something that certainly exists, in a mighty manner perhaps, but cannot be reduced to human concepts, ideas or images. This is why the book was entitled "Solaris" and not "Love in Outer Space".
PART OF PLOT SUMMARY: . . . The ocean's response [on the alien planet] to this intrusion exposes the deeper, hidden aspects of the personalities of the human scientists, while revealing nothing of the ocean's nature itself. It does this by materializing physical simulacra, including human ones; Kelvin confronts memories of his dead lover and guilt about her suicide. The "guests" of the other researchers are only alluded to. All human efforts to make sense of Solaris's activities prove futile.As Lem wrote, "the peculiarity of those phenomena seems to suggest that we observe a kind of rational activity, but the meaning of this seemingly rational activity of the Solarian Ocean is beyond the reach of human beings." Lem also wrote that he deliberately chose to make the sentient alien an ocean to avoid any personification and the pitfalls of anthropomorphism in depicting first contact.